A photograph represents the configuration of the objects in a specific moment of the present which lies now in the past. This is generally true, but occasionally even the moments and objects of past have made their appearance on the films of a camera. These objects, mostly unseen, constitutes scenes of the whole frame or a part of it. Some of these are time-shifted and other space-shifted. Among the whole scenario of past a good account exists relating to an empty car park where cars, parked two hours earlier, were seen on a negative with slightly fuzzy outlines but with legible number plates. Shifting of an image in space is seen on a Polaroid photograph of Bill Watkins with three distinct images relating to this boy. All the three images depict space-shift, since the individual was not a part of the snapped frame. A combination of dual space-time shift is also available when two sailors, dead and buried at sea, sometime ago were seen floating on water and photographed by the ship S.S.Watertown far away from the place of their burial at sea. Interesting among the space time-shifted photographs are also the thoughtographs of Ted Series. The oldest time in the series of his thought photographs dates back to a scene of Neanderthal habitation, no younger than 32 Ka because Neanderthal is extinct since then.

The enigmatic space-time shifted photographs with this author include a classic example where a scene of a fort dating back to nearly 3.8 Ka appears. In the same picture objects of the present are rotated by 40° and even such objects appear in the frame which were really not composed in the gate. The past photograph proves to be in a rectangular cone with its tip at the same spot as the vantage point of the author. This past scene is half-exposed in contrast to the present features. The bright present objects also exist in the past frame—slightly out of focus—suggesting that the present time objects lie in a past frame of nearly four thousand years old . A photograph of Bagh area in this series brings forward a frame of 70 million years ago—far older-than in the photograph of Ted Series. Three photographs of Umia in Kachchh depict shorter space-time shifts.

The experience at the time of photography suggests that in the case of the Lakhpat photograph the images of the past objects formed on the ground glass of the view finder of the Rollei Camera remained unseen. Also the real-images of the present objects had remained unseen while the consciousness projected images were seen by the author on the ground glass. This consciousness image was formed by the author's own consciousness (atma) actuating the invisible apparatus antahkaran in the human body. Thus, the vision is a function of antakkaran and alma. The eyes and brain are merely assisting organs to make the awakened mind perceive an illusion as real.

The space-time shifted photographs also include a number of smudged photographs showing minor shift of images mostly within 0°2' from the camera lens. Besides the author's own photographs, such smudged photographs have also been snapped by other individuals. More than fifteen photographs by the author are analysed. The microshifted pulsed images which are responsible for the fuzzy photographs are not seen while composing the frame. Since the smudging effect results due to overlap of three images within a hundredth of a second and it remains unseen, it is inferred that our consciousness based vision mechanism grasps each of the pulse of frames one after the other exclusively in the present that travel fast into the past. The one falling the past frame is no more seen. The vision mechanism within us, therefore, does not allow the past images to be seen. Accordingly, our vision is restricted only to the present. Usually, this presence of antahkaran is a moment of 0.008 seconds. The same mechanism prohibits the vision of future also. Past, present and future frames of a place are stacked in a fixed order to be seen only in the present.

In the category of enigmatic photographs, defying space and time, also fall a few others showing spheroidal morphology but invisible to the eyes. Since these objects are unseen, these are taken out of space as the basis of space in human vision and mind. In all eighteen such photographs are available for our analysis. These are relatable to 'atma, brahm and atta—the components of the invisible consciousness of man. In the photographs of Kedarnath, there are nearly as many men as spheroids and a linkage between these objects or alma—is possible due to numerical tie up. Human atmas are mostly non-pulsating spheroid of the usual size range of 8+2 centimeters. In Mussoorie, these atmas show two types. There are dark atmas (malinatma) as also lighter ones (sitatma) and they are of three levels of sizes: large, medium and small. In this area, very few humans were present during the photography. The dark and bright spheroidal objects, therefore, are linked to free souls after death.

It is also seen that there are a few pulsating spheroidal objects to whom the smearing in pulsed images may be linked. These objects may be conceived as brahm There is yet another category of spheroidal objects—always sharp in focus and tiny if the lens is focused at infinity. It changes its size in response to the change of focus by the camera lens. These are seen in Kedarnath as independent bodies but occupy a scattered position in a galaxy like body which does not respond to the zoom change during photography. It is unearthly. A photograph from Shimla shows all such objects clearly. There are spheroids of malinatma, sitatma, brawn and atta. There are also, small galaxy like disks holding atlas hence designated as attadhars

Human consciousness in every individual prove to be a three tier system of alma, brahm and atta. It has an existence independent of physical body though tied to it. Para-human free spheroidal bodies of consciousnessare at times very large in size, more than six meters in diameter. These are atmas which seem to grow free of physical body in the universal medium of consciousness. Photographs also throw some light about the consciousness around us. It is not isotropic. This anisotropic biaxial, medium—chetanakash—has three refractive indices 1,1.043 and 1.15. Its fast direction (x) is vertical, slow direction (z) is horizontal and north south while the intermediate direction y is horizontal is east-west. The electromagnetic radiation or light waves are polarized in the plane x-y, propagate in x direction the chetanakash medium looks isotropic; the brahmic radiation (gravitational pulse) behaves as if the medium is uniaxial while the attain radiation (latent heat) suggests the medium to be biaxial with three refractive indices.

Atta as an individual body of consciousness, has no better relevance than that of a white drawf star in a galaxy, photographs suggest. It is the ultimate body of human consciousness and body supports its growth—gradually and slowly birth after birth. The attadhar is a disk like body supporting attas in the same way as galaxy supports stars. The ultimate unit of our consciousness at the time of moksh is not in the physical body, not atma, not brahm not atta but an attadhar with several attas. It is a non-material body with neutral self possessing eternal life. From atma to atta all constitute elements of consciousness controlling the physical body through antahEaran and setting different sanskars in a man depending upon the dominant controlling element among these.